The speech falls cold on Reager who dismisses Yonah as a pacifist. But what world is Yonah protecting? When an exasperated Reager literally orders Colton to sign a worldwide surveillance order to track down this alien presence, Yonah erupts into an impassioned plea citing world history and the oppression of millions based on fear of the unknown. Shocked by its revelation, Colton’s attempts to learn more results in a confrontation between Reager and Yonah who are both protecting their worlds. But its greatest reveal-a flight plan of an unknown aircraft. Discovered when Sampson’s unit intercepted an alien signal through a military satellite, the decoded signal reveals all Earth orbiting satellites, military and civilian air traffic and weather forecasting models. ![]() In military precision with each passing slide, Reager builds to the moment of revelation – an alien satellite is parked at LaGrange Point 2. With time short Colton instructs Reager to get on with his presentation. Was it Yonah’s mid-thirties looks, Nehru styled suit and flagrant disrespect that bothered Reager or was it is Reager’s four-star uniform that represented military power and overconfidence that offset Yonah? Regardless, their clash of personalities would soon have worldwide implications. But Reager immediately locks horns with the mysterious Yonah who comes across as neither present nor absent. Incensed by the intrusion of a civilian, Reager’s start of an interrogation falls short when Colton arrives and takes command of the moment.Īwkward introductions present Yonah as a science advisor to Colton. But just as Reager advises Sampson on the nuances of Presidential diplomacy, their stoic world is interrupted by Cedric Yonah. But no sooner did she land when Elisabeth Seward, her National Security Advisor, informed her that General John Reager, the Commander of Air Force Space Command, wanted an immediate unscheduled meeting.Īs Colton and Seward secretly descend into a nearby bunker, Reager is reviewing the slide presentation he is about to give to the leader of the free world with the assistance of Major Ellen Sampson of Space and Missile Systems Center. When President Helen Colton arrived at the G-7 summit in Brussels, Belgium she was facing an international crisis with Russia’s annexation of Crimea. ![]() There is indeed a great deal to admire about the film, but when all is said and done it somehow lacks sincerity and falls just short of the mark. ![]() I did appreciate the fact that the film builds suspense more by what it does not show than what it does, and I have no qualm with that-it's a welcome choice after such special effects overkill as INDEPENDENCE DAY and the like-but several of his plot devices smack of stereotype, and the film's conclusion is such a deus ex machina that it is not to be believed. The blend of religious and sci-fi motifs is an interesting idea, but director Shyamalan (who also wrote the script) doesn't quite manage to hold them in balance, and ultimately winds up beating you over the head with the film's religious elements while giving the sci-fi elements the short end of the stick. Joaquin Phoenix is perfectly cast as Gibson's younger brother, and the children-Rory Culkin and Abigail Breslin-are flawless. I generally dislike Mel Gibson as an actor, but he has grown a bit since his macho-bravado BRAVEHEART days, and while he might seem an unlikely choice for the part of a failed minister he carries it extremely well. The small cast is extremely, extremely good. But his denial is exploded when he and his family have a close encounter of the extremely nasty kind. He remains skeptical even as television news coverage reports alien crafts hovering over major cities. ![]() Mel Gibson is a minister who has lost his faith in the wake of his wife's tragic accidental death and who now rejects the concept of unseen powers entirely-so he is nonplussed when his children discover a crop circle in his own cornfield. The story is an unusual mix of meditative religious and classic sci-fi elements blended together by Shyamalan's remarkable sense of visual style. Although very different, all three have one thing in common: they ultimately focus on a small group of people fighting off an unnatural entity that attempts to invade their very ordinary homes. Night Shyamalan admits that SIGNS was greatly influenced by such films as NIGHT OF THE LIVING DEAD and Hitchcock's THE BIRDS-an admission that will come as no surprise to any one who has seen SIGNS in the wake of those films. In a documentary that accompanies the film on DVD, M.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |